NECSUS Interview on EYE Film Institute Netherlands’ Bits & Pieces

The latest issue of NECSUS – European Journal of Media Studies, #4 with the theme ‘Waste’, has been published today. For this issue I interviewed silent film collection specialist Elif Rongen-Kaynakçi and senior curator Mark-Paul Meyer at the EYE Film Institute Netherlands on their work with the unique Bits & Pieces compilations of film fragments. I have included my introduction to the interview below, the entire interview can be read here.

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bp417-2

Frame grab from Bits & Pieces fragment no. 417.

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“Since the late 1980s, EYE Film Institute Netherlands (formerly the Nederlands Filmmuseum) has been collecting and preserving unidentified film fragments from its collection to create an ongoing series of compilations titled Bits & Pieces. The compilations consist of fragments which the majority of film archives would tend to disregard in favour of restoring complete films, but which EYE considers to contain a certain kind of cinematic beauty which deserves to be preserved and shown. Currently, the series counts 623 fragments, each of which has been assigned a number, and spread out on 56 reels of 300 meters.

The initiative to create Bits & Pieces was taken at a time when film archives increasingly developed different institutional deontologies of preservation and when film historians went into film archives in a revisionist spirit to rediscover neglected directors, actors, exhibition practices, and technologies. The Nederlands Filmmuseum – then headed by deputy director Eric de Kuyper and assisted by staff members Peter Delpeut and Mark-Paul Meyer – gained a significant reputation at this time by propagating the view that film historians continued to neglect the fact that film archives contained a substantial amount of film fragments which could not be attributed to an author or fit into an aesthetic school. Pointing to a discrepancy between the theory of film history and film archival practice, the Filmmuseum’s staff began to plea for new forms of presenting and valorising the fragments they found, which ultimately materialised in the Bits & Pieces project.[1]

Since then, Bits & Pieces compilations have been in high demand. They are continuously programmed in festivals and have provided source material in numerous filmic appropriation works – uses that have received widespread attention in literature on found footage and recycled cinema. However, it remains relatively unknown how the curators work with the collection on a daily basis and how their selection has developed since its launch. In this interview the current curators of Bits & Pieces – silent film collection specialist Elif Rongen-Kaynakçi, involved in Bits & Pieces since 2000, and senior curator Mark-Paul Meyer – met for a conversation about the appraisal of fragments at EYE and the initiative’s imperative in a past and present perspective. The interview took place in the nitrate identification facilities of EYE located on the outskirts of Amsterdam.”

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